
Nearly two years ago, some enterprising nut job bravely released test footage for a Deadpool movie that was never going to get made. Then the Internet happened.
Whatever divine intervention that set that leak in motion has turned out to be the best thing to happen to comic movies in a long time.
Not long after the footage hit, 20th Century Fox greenlit the project, giving full creative license to director Tim Miller, star Ryan Reynolds and “The Real Heroes,” screenwriters Rhett Reese and Paul Wernick. The movie has already become the best performing R-rated movie in history, and Deadpool 2 is reportedly in the works, because of course.
For a film that mired in Hollywood purgatory for years, it’s a remarkable turn of events. This is the same character whose appearance in X-Men Origins: Wolverine was the worst part of a terrible movie. But Deadpool’s success isn’t just a testament to the character’s oddball appeal. He also represents a turning point for comic movies as a whole. And it’s redemption for Reynolds, too, who has had a torrid superhero career thus far.
Reynolds plays Wade Wilson, a mercenary with a jaundiced worldview and mouth that just won’t quit. He’s not the most terrible guy in the world, but he’s no Steve Rogers. Rather, he’s what you’d get if a 14-year-old boy took pills and went to a frat party. He’s crude in the best possible way, and gleefully kills his way through hordes of nameless baddies in an attempt to take down a “British Villain” named Francis (Ed Skrein).
Deadpool’s portrayal is a faithful recreation of the anti hero fans have grown to love. In fact, creator Rob Liefeld previously said the character audiences see onscreen is the best representation he has seen. It’s about the furthest thing from what we saw in Wolverine, where the character’s mouth was literally sewn shut. Here, Deadpool constantly breaks the fourth wall, refuses to shut up and reacts to violence the same way someone would playing Call of Duty online. He’s ultra-violent and vulgar, but the movie never overdoes it.
